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God's Not Dead
Plot
College student Josh Wheaton's faith is challenged by his philosophy professor, who believes God does not exist. Release Year: 2014 Rating: 4.7/10 (893 voted) Director: Harold Cronk Storyline
College student Josh Wheaton's faith is challenged by his philosophy professor, who believes God does not exist. Writers: , Taglines:
"What do you believe?" DetailsOfficial Website:
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Release Date:
Filming Locations: Baton Rouge, Louisiana, USA
User Review
Author:
Rating: 1/10
I came into the theater with a neutral and inquisitive mind. I am an
Abrahamic monotheist but I am a philosophy and religion major as well
and I like to collect all sides of the long-standing God controversy.
This was the biggest intellectual disappointment of my life.
For starters, the best thing about this film is its incredibly tenuous
argument in favor of God's existence, which is all of three minutes of
the film (the second lecture that Josh presents). However, the argument
is circular, even though it accuses the atheistic argument to be
exactly so. The basic argument in favor of God's existence is that it
can neither be proved nor disproved, and that science was previously
incorrect about the state of the Universe (even though it has more
information now). A few lines of Genesis are all that is offered in
favor of God's existence.
The rest of the film is a giant self-important, fallacious, baseless,
and bigoted diatribe made to villainize all non-Christians (not just
non-theists), especially atheists and Muslims, and also communists,
non-theists, and agnostics. The only attempt made by this film to
rationalize and validate its fallacious point-of-view is to offer the
endorsement of a red-neck duck-hunter who wears the American flag as a
bandana around his head. This film is made specifically for the
pretentious ideological validation of Protestant, American, rural
Christians (basically bigoted WASPs).
For instance, the hardcore atheist's reasoning behind is theological
beliefs (or lack thereof) is his "hatred" for God for burdening him
with a difficult misfortune. However, I have known many atheists whose
conversion away from religion has nothing to do with the hardships in
their life. At the end of the film, he is hit by a car and suddenly
loses all of his passion against religion and "accepts Jesus" as the
Protestant pastor asks him to do, and thus he is "saved" (fyi, the
Bible states that anyone who is not baptized will go to hell; moreover,
if the Christian God is as "loving" and "forgiving" as they make him
out to be, then why would he be opposed to forgiving and "saving"
someone who did not believe in him). Furthermore, this character is not
written to present any strong and/or realistic arguments against
Christianity, and his violent attitude towards the theistic student is
obviously biased. Most atheists are satisfied with their beliefs, no
matter their validity, and do not care what theists think of them nor
do they care for their arguments.
In addition, the situation with a college professor FORCING his
students to write down that God does not exist for THIRTY PERCENT OF
THEIR GRADE is incredibly unrealistic and again, bigoted. In this
country, we have something called the first amendment, which allows
freedom of speech and religion. No professor or teacher of mine has
ever dared to make such a personal attack on their students, even
though there certainly are characters that abuse their power to inflict
their own biases onto their students; however, in this exact example,
such a professor would not survive a single class session. Academic
misconduct would be his citation, as well as violating the civil rights
of his students.
Moreover, the evolutionist vegan who opposes the Duck Dynasty on A&E
dude's attitude towards animals is given fatal cancer and thus she
suddenly drops all of her beliefs and "accepts Jesus" in the backstage
room of some irrelevant Christian rock band.
The atheist lawyer is portrayed as an extreme jerk with no regard for
anyone but himself. This stereotypical characterization is not only
offensive and comedic (at the same time, ironically) but it is also
spun on purpose in order to satisfy the bigoted, blue collar WASP
Christian audience.
The Muslim family is portrayed as misogynistic, violent towards the
daughter, and the daughter's willingness to convert to Christianity is
also unrealistic. This film does NOTHING whatsoever to even present
Islam's argument in favor of itself nor does it compare and/or contrast
that argument with the one given by Christianity. How are we to
validate her choice if we don't even know both sides of the argument,
and if we are only given a villainizing, inflaming, and stereotypical
portrayal of Muslims?
Lastly, the Chinese communists are presented as very impressionable and
lacking ideological fervor. They are also portrayed as selfish and
greedy, as well as with a inferiority complex seeing as they are shown
to want nothing but to please the Americans around them.
I am incredibly appalled and worried that this kind of tragic
propaganda has made its way into our theaters. I am NOT opposed to
religion, nor am I opposed to ideological debate and inquiry. Yet this
film does absolutely NOTHING to further any sort of intellectual
curiosity towards the religious debate. It simply presents the bias of
a rich WASP who had the means to make and distribute this film,
unfortunately most likely destroying Shane Harper's career in the
process (I do not blame the actor for this embarrassment of a film,
because he did his part but I hope that he realizes his mistake in
accepting such a terrible script).
I assume that both Mr. Harper and Josh Wheaton, his character, are
simply kids trying to stand by their faith. This could have been a
beautiful story about tolerance, respect, understanding, forgiveness,
and the human condition, as well as about recognizing philosophical and
ideological complexities that we as people face every day and that
shape the course of our lives. However, it is the most hateful,
insensitive, baseless, and painful film to sit through. It is more
damaging than any of its supporters could ever imagine, especially to
themselves.
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