June 23rd, 2013

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As he helps a young artist with her upcoming exhibition, the owner of a mannequin shop's deadly, suppressed desires come to the surface.

Release Year: 2012

Rating: 6.2/10 (7,040 voted)

Director: Franck Khalfoun

Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt. Frank is the withdrawn owner of a mannequin store, but his life changes when young artist Anna appears asking for his help with her new exhibition. As their friendship develops and Frank's obsession escalates, it becomes clear that she has unleashed a long-repressed compulsion to stalk and kill.

Writers: ,


Official Website: Official site [Germany] | Official site [Japan]

Country: ,

Release Date:

Filming Locations: Los Angeles, California, USA

Box Office Details

Budget: $6,000,000 (estimated)

Technical Specs


Did You Know?

The movie features the song "Good-bye Horses," by Q. Lazzarus. The song was also featured in The Silence of the Lambs, another movie about a serial killer who skinned people and had issues with his mother. See more »

User Review


Rating: 6/10

A psychopath on the loose. Or should I just say, a young boy with unresolved mother issues as a result of which others (girls, in particular) have to suffer?

Once he sets his eyes on the next target, nothing gets in the way. Very cunningly he establishes where the victims live and like a skilled craftsman carries out his hideous crimes, without remorse, second thoughts or hesitation.

Pivotal to the story is the appearance of an artist who has an acute interests in these plastic mannequins something that appeals greatly to the disturbed young man. Much as his instincts are ever present she somehow causes him to not be himself which is no little thing.

Great job has been done to bring intensity on the screen. We follow the troubled man, we agonise as he prepares his next murder, we feel sorrow when he indulges his animal instincts. Elijah wood is outstanding as the loner with a dark secret.

Another plus would have to be how the director gives it a very 80's look and feel without ever misleading us from the fact that it is a very modern day story.

Ultimately, although the direction by a Frenchman has its obvious advantages it remains a Hollywood movie. Hyperbole, gory scenes for the sake of it and a sense of stretched reality deprive this appealing story from further deserved points.

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